Skip to main content

Blank Panther (LO3)

Representation of age, largely quite typical: state of business performed by adults, represented as mature, intelligent, authoritative, powerful.

Shuri, teenage character: stereotypical in her somewhat emotional outburst (the stereotype of a reckless, spirited teenager) but also counter-typical in being involved in the scene and contributing to critical state discussion (part of representation in the winder film as highly intelligent).

Some older leaders, seated - represented as less physically strong but represented typical. 

Wakanda representation:

  • Powerful
  • Responsibility
  • Independent 
  • Proud
  • Honourable
  • Cautious 
  • Highly developed
  • Some typical African elements
  • Alvardo stereotypes exotic - appealing blend of African cultural aesthetics.
Killmonger - 'other' compared to the Wakandans, differing attitudes - can't understand/agree with their view. 
  • Hateful/vengeful/resentful
  • Violent  - in the way that he speaks
  • Accent - American
  • Wants power

  • King in charge - the stereotype of male domination.
  • Women contribute and are heard and represented - equality 
  • Armed female guards - countertype, associating women with physical force.
  • Men will fight for the throne - a stereotype of male power.



























Popular posts from this blog

Manuel Alvarado’s theory of representation (LO3)

Manuel Alvarado’s theory of representation of ethnicity in the media (1987) identifies four main categories: Dangerous – plays on the fear of otherness (e.g. terrorist, threatening immigrant, a gang member. Exotic – plays on the appeal of otherness (e.g. wealthy foreign royalty, attractive jungle/desert ‘native’ etc) Pitied, the victim – partly because often the only time many foreign countries appear in our media is when they are suffering some disaster. It may also give a sense of superiority to the ‘other’. Humorous - encouraging us to laugh at representations of ethnicity. Earlier examples of this were often racist humour; more recent ones tend to present and subvert stereotypical terms of race and encourage us to recognise and laugh at stereotypes. Family guy has them all, Dangerous, Exotic, Pitied, Humourous.  

Laura Mulvey - Male Gaze (LO3)

 I n feminist theory, the male gaze is the act of depicting women and the world in the visual arts and in literature from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the heterosexual male viewer. Example of Male Gaze:

Blumler and Katz – Uses and Gratifications (LO6)

Adapted from Denis McQuail’s Audience Pleasures, this active audience theory states we consume media for the following uses and gratifications: •Information and Education – the viewer wants to acquire information, knowledge and understanding by watching programmes like The News or Documentaries. •Entertainment – Viewers watch programmes for enjoyment. •Personal Identity - Viewers can recognise a person or product, or role model that reflects similar values to themselves and mimic or copy some of their characteristics. •Integration and social interaction – the ability of media products to produce a topic of conversation between people. For example who is the best contestant on The X-factor who was the best goal shown on Match of the day. •Escapism – Computer games and action films let viewers escape their real lives and imagine themselves in those situations.